SAVANNAH BROOKS
WRITER
Savannah Brooks earned her MFA in creative writing from Hamline University and her BS in marketing management from Virginia Tech. She spent the first decade of her career working in publishing, first as an editor and then as a literary agent, as well as on multiple literary magazines. After contracting a disabling case of long COVID, she quasi-retired from the field and is now focusing on teaching, which she does through the Loft Literary Center in Minneapolis and the Flatiron Writing Room and Great Smokies Writing Program in Asheville. Previously, she taught at Hamline and the University of Minnesota, and she’s presented on both craft and publishing at more than two dozen writing conferences.
Primarily a short-form writer, her latest short stories are featured in Prime Number Magazine, New Plains Review, and Inscape; her latest essays in Scuba Diving Magazine, the Guardian, and Hobart; and her latest book reviews in Calyx, the Juice, and Oyster River Pages (don’t mind the rogue poem or two). She’s a reviewer for the Independent Book Review, has been nominated for a Best of the Net Award, and is continually putting together at least one essay/short story/poetry collection (these things do tend to run away with her).
Currently a Big Sister (Big Brothers Big Sisters) and Guardian ad Litem (North Carolina Judiciary Branch), Savannah has volunteered in child advocacy, welfare, and education since she was in high school. She resides in the Blue Ridge Mountains of Asheville, North Carolina, with her two black cats, Eggs Benedict and Toaster Strudel, and her fifty-plus houseplants (she's clearly coping well). When she’s not writing or reading, you can find her performing improv, throwing pottery, or cracking a few hits open at karaoke.
PUBLICATIONS
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“Finding Healing Under the Water” | essay | Scuba Diving Magazine | online | spring 2026
“Long Covid is Still Here” | essay | The Guardian | online | winter 2026
“I Was an Athlete, Now I’m in a Wheelchairs Thanks to Long COVID” | comic essay | The Guardian | print & online | fall 2022
“How to Fight” | essay | Barely South Review | online | winter 2018
“Baptism” | essay | Hobart | online | summer 2018
“Inca Trail, 2011” | essay | Lime Hawk | online | spring 2017
Nominated for Best of the Net 2017
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“An Atonement of Flowers” | short story | Red Rock Review | print & online | forthcoming
“Setting the Standard” | short story | Prime Number Magazine | print & online | fall 2025
“Mother Wolf” | short story | New Plains Review | print | summer 2025
“Smoke” | flash fiction | Inscape | print | spring 2017
“The Vanishing at Hemlock Hill” | short story | Every Writer’s Resource | online | fall 2016
2016 Halloween Horror Competition Runner Up
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“In Memoriam” | Cagibi | forthcoming: fall 2026
“Red Clay” | On the Veranda | spring 2016
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I See You’ve Called in Dead | John Kenney | Great Smokies Review | Aug 2026
The Bear and Cat Chronicles | Kris Neely | Independent Book Review | Aug 2026
Lady Vagabond | Judy DePue | Independent Book Review | Aug 2026
The Sea Glass Shore | Julie Salmon Kelleher | Independent Book Review | July 2026
O Sinners! | Nicole Cuffy | Calyx | April 2026
There is No Refuge | Agustina Bazterrica | The Juice | Oct 2025
Waiting for the Long Night Moon | Amanda Peters | Oyster River Pages | Sept 2025
Wake Up and Open Your Eyes | Clay McLeod Chapman | Bridge Eight | July 2025
The Staircase in the Woods | Chuck Wendig | Hong Kong Review | June 2025
Write with me!Upcoming Classes
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Fall Sample: Creative Nonfiction
Online | Loft Literary Center
single session | Sept 3Want to try your hand at creative nonfiction writing? Perhaps you'd like to take a writing class but you're not sure if it's a great fit for you—or you're not sure if taking a class online will be the experience you're hoping for. If you're new to the Loft, online classes, or creative writing, or you'd just like the opportunity to try a class for a brief time, meet other writers, and find a writing community while finding your own voice, this sampler class is the place for you!
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Getting Published: Landing Your Work at Literary Magazines, Traditional Houses, and Everything in Between
In person | Great Smokies Writing Program | 10-weeks | Sept–Nov
Breaking down the publishing landscape into three sectors, this course focuses on the logistics, best approaches, and necessary materials for landing your work at literary and entertainment magazines; small, independent, and university presses; and traditional, hybrid, and self publishers. Each student will leave with drafts of two book reviews, a cover letter, an author bio, a short-form pitch, a short-form submission-ready piece, a query letter and/or long-form proposal, and the first page of a long-form work, all of which can and should be used as templates going forward.
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Workshopping the Personal Essay
Online | Loft Literary Center
8-weeks | Sept–NovDuring this 8-week intensive, students will both workshop their peers' personal essays and dissect the craft of the Best American Essays of 2025, allowing the latter to inform the former. They'll receive spoken and written feedback on at least two of their own pieces over the duration of the course.
AGENTING WORKBooks Represented